תזכורת לעצמי (אנגלית)

With former Google designer Tristan Harris, who explains how far Silicon Valley will go to capture and control your eyeballs. And Snapchat artist CyreneQ, who makes her living drawing on her phone all day. For real.

We asked you guys to send us photos. Then we gave them to Andreas Weigend, veteran of Xerox Parc, former chief scientist at Amazon, to see what he could deduce. A lot, it turns out. A little Google image search, a little metadata, and we can find where you are. Maybe who you are. What color phone you’re using to take the shot, and how many SIM cards you have. Reading photos is more than a digital parlor trick. It’s the future of commerce, marketing, policing, lending, and basically everything else.  

Bot armies are taking over Twitter. But they’re not necessarily trying to advance a point of view, according to Phil Howard, a bot researcher. They’re aiming to sow chaos and make dialogue impossible. At the extreme, the goal is to destabilize our very sense of reality.   “Their strategy is to plant multiple conflicting stories that just confuse everybody," Howard says. "If they can successfully get out four different explanations for some trend, then they've confused everybody, and they're able to own the agenda.” This week, why someone would sic a bot army on Manoush. And what her bot brigade can teach us about how bots are shaping democracy, from the 2016 election to Brexit to the recent French election. You can check if a Twitter account following you is real or fake, with Bot or Not, an aptly-named tool from Indiana University's Truthy project.

This week, Note to Self gets in our time machine, back to the Supreme Court cases that defined privacy for the digital age. Stories of bookies on the Sunset Strip, microphones taped to phone booths, and a 1975 Monte Carlo. And where the Fourth Amendment needs to go, now that we’re living in the future. The amendment doesn’t mention privacy once. But those 54 little words, written more than 200 years ago, are a crucial battleground in today’s fight over our digital rights. That one sentence is why the government can’t listen to your phone calls without a warrant. And it’s why they don’t need one to find out who you’re calling. But now, we share our deepest thoughts with Google, through what we search for and what we email. And we share our most intimate conversations with Alexa, when we talk in its vicinity. So how does the Fourth Amendment apply when we’re surrounded by technology the founding fathers could never dream of? With Laura Donohue, director of Georgetown’s Center on Privacy and Technology. Supreme Court audio from the wonderful Oyez.org, under a Creative Commons license.  

The Dark Web conjures images of gothic fonts and black backgrounds, like a metal fan’s MySpace page circa 2001. But this section of the internet looks surprisingly normal. Accessible only through the TOR browser, there are Google-style search engines and Amazon-style marketplaces. Except what they’re selling are mostly illegal things—stolen passports, hacked account numbers, and drugs. A lot of drugs. This week, we stress out WNYC’S IT department and venture onto the Dark Web. Where you can get heroin, fentanyl, or oxycontin shipped right to your door via USPS. And we talk to Nick Bilton, author of American Kingpin: The Epic Hunt for the Criminal Mastermind Behind the Silk Road, about how Libertarian philosophy and tech-bro hubris combined to spark an online drug revolution—and an opioid crisis. And the Dark Web community is starting to recognize the role they're playing. Since we recorded this episode, Hansa Market - the very site we visit in the show - has banned the sale of fentanyl, according to the New York Times. 

Today, listener stories and tips: we wrap up our No Filter series of conversations about how women live online. From YouTube megastar Lele Pons to iconic artist Barbara Kruger, we heard a joyous mix of vulnerable confessions, utter defiance, and (for once) a mostly positive vision of what being a woman on the web can look like. To wrap it up, stories from you. About how you’re reconciling the IRL you with the online you. Plus, The Cut’s editor-in-chief Stella Bugbee is back with her greatest hope for the next generation of women in the workplace.  

We couldn’t close out No Filter, our series on women owning it online, without profiling Jasmyn Lawson, former culture editor at Giphy. That's the search engine that houses all those looped videos we use to express emotion - and ourselves - online. But when Jasmyn started working there, she couldn’t find many gifs that looked like her. "Just having Beyonce and Rihanna and Nicki Minaj is not enough to say you're representing black women." So she made her own. Jasmyn Lawson (Ryan Pfluger)  

  The iconic artist talks to Manoush about our curated selfies, owning a font, and why we all need likes. Plus, The Cut’s editor in chief Stella Bugbee. If you missed the other episodes of No Filter earlier this week, go back! Instagram megastar Lele Pons, Transparent actor Trace Lysette, painter Amy Sherald, who made Michelle Obama’s official portrait, and anchor Christiane Amanpour.

The CNN anchor talks to Manoush about sex, wearing a “uniform,” and staying profesh on air and online. Plus, Call Your Girlfriend co-host and Cut contributor Ann Friedman, who almost fell out of her ergonomic chair when she found out she’d be in the same episode as Christiane. Christiane’s new show is Sex & Love Around the World. And Ann’s podcast is, of course, Call Your Girlfriend, with Aminatou Sow. Christiane Amanpour, on No Filter: Women Owning It Online. (Brigitte Lacombe) Every day this week, a new episode of our series, No Filter: Women Owning It Online, with New York Magazine’s The Cut. Five conversations with badass women. And trust us, you don’t have to be a woman for this series to be a must-listen. We’ve heard from Instagram megastar Lele Pons, Transparent actor Trace Lysette, and painter Amy Sherald, who made Michelle Obama’s official portrait. Tomorrow, we close the week with iconic artist Barbara Kruger.